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Lastly, the characters, in the sense of their choice of actions, at many points seemed just plain stupid. I was somewhat surprised by this, but it was very much cleared up by a comment by Lori to the effect of "In Shakespeare, the characters do stupid and unrealistic things as well." She's totally right. I've just been spoiled by a world that makes sense all of the time, where you don't ever have to suspend disbelief. |
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Lastly, the characters, in the sense of their choice of actions, at many points seemed just plain stupid. I was somewhat surprised by this, but it was very much cleared up by a comment by LoriThomas to the effect of "In Shakespeare, the characters do stupid and unrealistic things as well." She's totally right. I've just been spoiled by a world that makes sense all of the time, where you don't ever have to suspend disbelief. |
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*The fifteen minutes in the middle with the Mambo, Tony and Maria falling in love, and America |
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*The fifteen minutes in the middle with the Mambo, Tony and Maria falling in love, Tonight and America |
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I've actually always really liked the movie. And when I saw it on stage, I really didn't like it. It could just be that performance I saw was particularly bad. Eh, maybe I'm just weird. But I found your comment that it would be better on stage interesting, since that isn't what I found. RachelGabor |
Review: Everything that would have made this a fantastic play made it a poor movie. The suspension of disbelief needed to sustain any sort of coherency, which is so easy to sustain on a stage, is next to impossible on the small screen with realistic backdrops, fancy props, and costume changes galore. On stage, people wouldn't even think twice about the Jets dancing down the street, snapping all the while, but still being a tough street gang. In this movie, it just looked silly.
Additionally, this movie would certainly have benefitted from an intermission. The DVD wrapper estimated the length of the film at 152 minutes, over 2 and 1/2 hours. This was accentuated by somewhat odd pacing. Fast scenes were lightning quick, and slow scenes dragged on forever. In particular, the scene in the middle with Tony and Maria getting "married" in the bridal shoppe seemed dreadfully slow and somewhat creepy. The choreography was incredibly consistent, and most likely would have seemed much stronger with five minutes in the middle to stretch your legs.
Lastly, the characters, in the sense of their choice of actions, at many points seemed just plain stupid. I was somewhat surprised by this, but it was very much cleared up by a comment by LoriThomas to the effect of "In Shakespeare, the characters do stupid and unrealistic things as well." She's totally right. I've just been spoiled by a world that makes sense all of the time, where you don't ever have to suspend disbelief.
Now, I've done plenty of ragging on this film, but there were some very good things about it as well. The score, especially the vocal numbers were fantastic. Well, maybe not all of them, but there were some shining moments. The mambo at the dance before the war council was great, as were America (a Broadway showtune about the beauty and failing of the American dream from an immigrant's perspective), and of course, Tonight. The dancing was impeccable and the choreography very solid indeed.
Use of lighting was also elevated from what could have been done on the stage. Particularly strong were the fade from the Mambo into Tony and Maria falling in love, and the "natural" street lighting of the final scene.
See it for:
Rating: As is, two stars out of five (almost painful to sit through). With an intermission or in two sittings, three and a half.
I've actually always really liked the movie. And when I saw it on stage, I really didn't like it. It could just be that performance I saw was particularly bad. Eh, maybe I'm just weird. But I found your comment that it would be better on stage interesting, since that isn't what I found. RachelGabor
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